Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity Of The Cockroach: Conversations With Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, his girlfriend, their four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

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Superman (Linda Holmes) was nowhere to be found, so Batman (Glen Weldon) and I (Wonder W... okay, I see where this is an imperfect analogy) were forced to assemble a new superteam to discuss the new DC Comics blockbuster Justice League. So we brought in two of our dear pals — Tasha Robinson from The Verge and Daoud Tyler-Ameen from NPR Music — to discuss a great big mash-up of moods, stars and stories. It's a lot to take in.

An all-star remake of 1974's all-star adaptation of Agatha Christie's 1934 novel of the same name (got all that?), Murder On The Orient Express stars Kenneth Branagh as the elaborately mustachioed Belgian detective Hercule Poirot, who attempts to solve a baffling case involving a stabbing death on a snowbound passenger train. Branagh also directed the new film, which features the likes of Johnny Depp, Michelle Pfeiffer, Leslie Odom Jr., Daisy Ridley, Josh Gad, Penelope Cruz, Judi Dench and many others.

Awards shows often mirror current events, from politically pointed acceptance speeches to winners whose subject matter feels especially relevant in the moment. The 69th Emmy Awards, held Sunday night, didn't skimp on either, as The Handmaid's Tale, Saturday Night Live and Veep posted strong — even dominant — showings over the course of the night.

David Simon and George Pelecanos made The Wire and Treme together, among other shows, and now they've teamed up to create The Deuce, a new HBO drama about prostitution and the rise of the porn industry in New York's Times Square. Set in 1971, when prostitution took place out in the open on Times Square's grubby streets, the show stars Maggie Gyllenhaal, James Franco (as twins!) and a huge cast of character actors who help form an ambitious web of stories. It's a lot to take in, and the first eight-episode season — which premiered Sept.

Ever since the early days of Pop Culture Happy Hour, we've set aside the occasional block of time to champion a few of our favorite entertainers in a segment we call People We're Pulling For. We keep the criteria pretty loose: They can be little-known up-and-comers, major stars at a crossroads, or anything in between. The important thing is that we're rooting for them, and we think others ought to root for them, too.

We thought this episode was going to be all about The Dark Tower, a new movie adaptation of Stephen King's ambitious series of novels. Then... we saw The Dark Tower, which attempts, at least in part, to condense 4,000-plus pages into a 95-minute movie. We didn't like it — and, more to the point, we didn't think it was interesting enough to warrant a whole segment of Pop Culture Happy Hour.

With host Linda Holmes still in Los Angeles, where she's attending the Televisions Critics Association press tour, Glen Weldon and I have assembled without her for a discussion of director Kathryn Bigelow's new film, Detroit. We're joined by our pals Gene Demby (from NPR's Code Switch) and Aisha Harris (who hosts Slate's Represent podcast).

This week's episode of Pop Culture Happy Hour coincides exactly with Netflix's release of GLOW, a 10-episode TV series starring Alison Brie, Betty Gilpin and Marc Maron. Presenting a fictionalized history of the late-'80s syndicated TV show GLOW: Gorgeous Ladies Of Wrestling, GLOW carries the formidable DNA of executive producer Jenji Kohan (Orange Is The New Black, Weeds) and producers Liz Flahive (Nurse Jackie, Homeland) and Carly Mensch (Orange Is The New Black, Weeds, Nurse Jackie).

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

(SOUNDBITE OF PRINCE SONG, "KISS")

STEVE INSKEEP, HOST:

While Linda Holmes was finishing the first draft of her novel while vacationing in the bucolic wonderland of rural Virginia, the rest of us were left to assemble an episode of Pop Culture Happy Hour without her. So Glen Weldon and I tackled a pair of pop-cultural entities who've freshly returned from varying degrees of absence — namely Dave Chappelle, who on March 22 released a pair of stand-up specials via Netflix, and CHiPs, the late-'70s and early-'80s cop show that's just seen a big-screen reboot.

Sherlock and Pop Culture Happy Hour both premiered in 2010, but until now, the two have never intersected in the form of a full segment on our show. The series of 90-minute episodes — which air in America as part of PBS's Masterpiece Mystery! series — stars Benedict Cumberbatch and Martin Freeman as Sherlock Holmes and John Watson, respectively. Last weekend, Sherlock launched its fourth three-episode season (not counting a one-off special in January 2016), which makes this a perfect time to dive in.

With Pop Culture Happy Hour's fall tour and the 2016 elections behind us — though the latter hadn't taken place at the time of this taping — now's a fine time to dig into a pair of movies dominating the year-end landscape. With host Linda Holmes off on a much-deserved vacation, Glen Weldon and I recently sat down with Code Switch's Kat Chow and Gene Demby to discuss two very different fall movies: Doctor Strange and Moonlight.

The twists and turns of the 2016 election — not to mention the characters at the top of each major-party ticket — provide many opportunities for comedy. But it's tough out there for late-night joke-makers, who face more competition than ever, not to mention a social-media landscape in which seemingly every possible quip is being made in real time.

[In case you haven't heard, Pop Culture Happy Hour is about to embark on a West Coast tour. San Francisco, Seattle and Los Angeles are sold out — though we recently added an appearance (with Guy Branum!) at the Now Hear This podcast festival in Anaheim on Oct. 29 — but we'll also be in Portland on Oct. 19 with our dear pal Audie Cornish.

[In case you haven't heard, Pop Culture Happy Hour is embarking on a West Coast tour! San Francisco, Seattle and Los Angeles are sold out — though we recently added an appearance (with Guy Branum!) at the Now Hear This podcast festival in Anaheim on Oct. 29 — but we'll also be in Portland on Oct. 19 with our dear pal Audie Cornish.

[In case you haven't heard, Pop Culture Happy Hour is embarking on a West Coast tour! San Francisco and Los Angeles are already sold out — though we've just added an appearance (with Guy Branum!) at the Now Hear This podcast festival in Anaheim on Oct. 29 — but we'll also be in Seattle on Oct. 17 and Portland on Oct.

[In case you haven't heard, a big announcement: Pop Culture Happy Hour is embarking on a West Coast tour! We'll be in Seattle on Oct. 17 (with Audie Cornish), Portland on Oct. 19 (also with Audie Cornish), San Francisco on Oct. 21 (with Mallory Ortberg), and Los Angeles on Oct. 23 (with Kumail Nanjiani). For ticket information, click here — and remember that all four shows go on sale Tuesday, Sept. 6, at noon Pacific Time.

Summer has a way of sending the Pop Culture Happy Hour team hurtling across the country, so this episode required a bit of logistical maneuvering: We actually recorded it several weeks ago, just as Linda Holmes and I were about to jet off on separate West Coast jaunts. Glen Weldon wasn't yet back from Comic-Con, the rest of us aren't in Historic Studio 44... everything's topsy-turvy!

In honor of MTV's 35th birthday Monday, the network has launched MTV Classic, a new channel featuring programming from the '90s and '00s. On the same day, we also wish a happy birthday to NPR Music and Pop Culture Happy Hour's Stephen Thompson, who celebrates with an interview on All Things Considered about how MTV Classic is redefining which popular culture fits into the current environment for nostalgia.

We've reached the part of every summer when the PCHH gang begins to scatter to the four winds. Linda Holmes, for example, recorded this week's episode the day before leaving for the Television Critics Association's two-and-a-half-week Press Tour, while Glen was still home recuperating from the ever-exhausting San Diego Comic-Con. So it only makes sense that this week's panel is itself scattered, albeit to only three winds: Linda and I were in D.C., while our producer emeritus and music director, Mike Katzif, was in a New York studio — and intrepid Margaret H.

This is our 300th episode of Pop Culture Happy Hour — not counting Small Batch editions, which would drive the number significantly higher — so now's as good a time as any to thank everyone who's listened, supported us both within and outside NPR, and/or appeared on the show itself. We're feeling awfully appreciative that we've been allowed to stick around this long.

Welcome, friends, to a discussion featuring four of the only people in America to see Pop Star: Never Stop Never Stopping in theaters last weekend. Though the movie wasn't a box-office hit, to put it lightly, we whip up an extraordinary amount of affection for The Lonely Island's goofy comedy — a lightweight but joke-dense look at "Conner4Real," a vaguely Bieber-esque singer and rapper (Andy Samberg) who used to belong to a boy band called the Style Boyz with Jorma Taccone and Akiva Schaffer.

Just as the winter holiday season seems to arrive sooner and sooner every year, so goes the season for summer movie blockbusters. When Batman V. Superman came out in late March, it felt like the equivalent of picking out your Halloween costumes at a store that's already hawking tinsel. A few years ago, the first weekend in May became the de facto launch of summer-movie season — itself a move up from Memorial Day Weekend a while back — but this year has been different.

Quick announcement, before we get started: During the month of April, Pop Culture Happy Hour will be available a day early, exclusively in the NPR One app. Nothing else will change; the show will otherwise appear in your feeds and on this site first thing Friday morning. But for those who use NPR One, or who've been thinking about trying it, you'll get a little head start.

At the end of a grueling Academy Awards race, we at Pop Culture Happy Hour like to unwind with a good, long talk we call our "Oscars Omnibus" — a roundup of our thoughts on all the Best Picture nominees, notable acting nominees, and issues and themes surrounding the prior year in movies. This year gave us plenty to chew on, as you can imagine, and as you can hear for yourself on this page.