Scott Simon

Scott Simon is one of America's most admired writers and broadcasters. He has reported from all fifty states, five continents, and ten wars, from El Salvador to Sarajevo to Afghanistan and Iraq. His books have chronicled character and characters, in war and peace, sports and art, tragedy and comedy.

Simon's weekly show, Weekend Edition Saturday, has been called by the Washington Post, "the most literate, witty, moving, and just plain interesting news show on any dial," and by Brett Martin of Time-Out New York "the most eclectic, intelligent two hours of broadcasting on the airwaves." He has won every major award in broadcasting, including the Peabody, the Emmy, the Columbia-DuPont, the Ohio State Award, the Robert F. Kennedy Journalism Award, and the Sidney Hillman Award. Simon received the Presidential End Hunger Award for his coverage of the Ethiopian civil war and famine, and a special citation from the Peabody Awards for his weekly essays, which were cited as "consistently thoughtful, graceful, and challenging." He has also received the Barry M. Goldwater Award from the Human Rights Fund. Recently, he was awarded the Studs Terkel Award.

Simon has hosted many television specials, including the PBS's "State of Mind," "Voices of Vision," and "Need to Know." "The Paterson Project" won a national Emmy, as did his two-hour special from the Rio earth summit meeting. He co-anchored PBS's "Millennium 2000" coverage in concert with the BBC, and has co-hosted the televised Columbia-DuPont Awards. He also became familiar to viewers in Great Britain as host of the continuing BBC series, "Eyewitness," and a special on the White House press corps. He has appeared as a guest and commentator on all major networks, including BBC, NBC, CNN, and ESPN.

Simon has contributed articles to The New York Times, The Los Angeles Times, The New York Times Book Review, The Wall Street Journal, The Sunday Times of London, The Guardian, and Gourmet among other publications, and won a James Beard Award for his story, "Conflict Cuisine" in Gourmet. He has received numerous honorary degrees.

Sports Illustrated called his book Home and Away: Memoir of a Fan "extraordinary...uniformly superb...a memoir of such breadth and reach that it compares favorably with Fredrick Exley's A Fan's Notes." It was at the top of several non-fiction bestseller lists. His book, and Jackie Robinson and the Integration of Baseball, was Barnes and Nobles' Sports Book of the Year. His novel, Pretty Birds, the story of two teenage girls in Sarajevo during the siege, received rave reviews, Scott Turow calling it, "the most auspicious fiction debut by a journalist of note since Tom Wolfe's. . . always gripping, always tender, and often painfully funny. It is a marvel of technical finesse, close observation, and a perfectly pitched heart." Windy City, Simon's second novel, is a political comedy set in the Chicago City Council. Baby, We Were Meant for Each Other, an essay about the joys of adoption, was published in August 2010.

Simon's tweets to his 1.25 million Twitter followers from his mother's bedside in the summer of 2013 gathered major media attention around the world. He is completing a book on their last week together that will appear in time for Mother's Day 2015.

Simon is a native of Chicago and the son of comedian Ernie Simon and Patricia Lyons Simon. His hobbies are books, theater, ballet, British comedy, Mexican cooking and "bleeding for the Chicago Cubs." He appeared as Mother Ginger in the Ballet Austin production of The Nutcracker.

Deborah Epstein has spent her professional life fighting for victims of domestic violence. But protecting such victims is also what Epstein says led her to step down from a commission meant to tackle the issue of domestic violence in the National Football League.

At the age of 64, when some retired people would look at brochures for cruises, Nell Irvin Painter — professor emeritus of American history at Princeton University — decided to go to art school.

The Creole word ayibobo carries many meanings. It can mean blessings or welcome. It can describe something wise or something you like. For Haitian singer-songwriter Paul Beaubrun, it signifies strength and resilience of his country, which is why he chose it to be the title of his latest album.

In 1978, Ron Stallworth was working as a detective in the Colorado Springs Police Department when he came across a classified ad to find out more about the Ku Klux Klan — and answered it. Two weeks later, he got a call on the police department's undercover operations line. It was the local KKK organizer. He asked why Stallworth wanted to join the Klan.

"I said I wanted to join because I was a pure, Aryan, white man who was tired of the abuse of the white race by blacks and other minorities," Stallworth recalls.

An Israeli television series with an Arabic name that shows Israelis and Palestinians plotting against each other — and themselves — has become a fan favorite in 190 countries around the world, including Israel and many Arab states.

Fauda — Arabic for "chaos" — is now streaming its second season on Netflix in the United States. Lior Raz stars as Doron, an Israeli Defense Forces special operative who defies authority, has a messy domestic life and complicates everything by both spying on and falling for a Palestinian doctor who gets married to a Hamas commander.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

SCOTT SIMON, HOST:

We all have songs that bring memories. Fifty years ago, Laura Nyro wrote a song that put momentous and terrifying events into words. Martin Luther King, an apostle of peace, had been shot down. There was grief, unrest and uprising in the streets.

Love and loss often inspire creativity. Aisha Burns' second solo album Argonauta is about the places where grief meets hope. What makes this album distinct is that it was written in response to a great loss in Aisha Burns' life — her mother's death — which occurred alongside the beginning of a great romance.

Sad! Pathetic! Fake News!

Have those words crept — or burst! — into your vocabulary in the past couple of years?

Any president has an impact on public rhetoric. But the influence of what I'll call Trumptalk, derived from the president's frequent tweets, may be even more communicable.

Sarcastic nicknames! Punchy phrases! Staccato sentences! Exclamation points scattered like bowling pins! We all talk like that now!

The Week In Politics

May 19, 2018

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

SCOTT SIMON, HOST:

And now we're going to turn to Ron Elving, NPR senior editor and Washington correspondent, because, of course, there is a political dimension to all of this. Ron, thanks very much for being with us.

RON ELVING, BYLINE: Good to be with you, Scott.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

SCOTT SIMON, HOST:

Maybe you heard - Prince Harry wed Meghan Markle, an American, today inside the grounds of Windsor Castle outside of London.

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Aja Gabel's new novel has music cues for each new section. One of them is for Antonin Dvorak's "American" String Quartet in F, Op. 96, No. 12, which is performed in the opening of the book.

It's a love story, the famous violinist had said, and even though Jana knew it was not, those were the words that knocked around her brain when she began to play on stage.

Tom Wolfe did not blend in. He was a southerner in New York, a New Yorker in the world, a reporter among novelists and vice-versa, and a man who wore ice cream white suits and peach-pink ties in artistic circles where men and women often wore black with occasional splashes of gray.

Shakespeare wrote great tyrants. Macbeth, the Scot who plots a bloody route to the throne; Richard III, the brother of a king, and "rudely stamped," in Shakespeare's phrase, who murders his way into power and madness; Coriolanus, the Roman ruler who believes power in the hands of citizens is like permitting "crows to peck the eagles," and betrays his city; King Lear, Lady Macbeth, Henry VI, Julius Caesar — one of Shakespeare's themes is how men and women may lust for power, then use it in the worst way.

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