Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

If you saw the Golden Globes on Sunday night, you saw Allison Janney win in the supporting actress category for playing Tonya Harding's mother in I, Tonya. You're likely to see more of her in this awards season, and more of Margot Robbie, who plays Harding herself in the film, directed by Craig Gillespie and written by Steven Rogers.

Only a few minutes into Sunday night's Golden Globes red-carpet broadcast on E!, Debra Messing explained to host Giuliana Rancic why nearly all the women were wearing black. (The men were, too, but they always do that.) Messing explained that it was part of the Time's Up initiative, which supports women who suffer from sexual harassment and assault — and not just in Hollywood. She went on to call out the recent departure from E!

The reputation of the Golden Globes is that they're the Oscars' rowdier, tipsier, weirder cousin — sometimes refreshingly so. And while awards season is always the most intense time of year for celebrity fashion, this year the allegations — and, in some cases, admissions — of sexual harassment and assault added a far more serious layer of conversation. Some women said in advance that they would wear black to convey their support for people who have reported abuse.

Standard caveats: I don't watch everything! I am behind on many things. That's just the way the world is. So if something you loved isn't here, it is not a rebuke.

In 1971, The New York Times and then The Washington Post began publishing excerpts from the Pentagon study of American involvement in the Vietnam War that became known as the Pentagon Papers. The new Steven Spielberg film The Post is about the role that paper played in the story, and particularly the decision-making of Post publisher Katharine Graham, played by Meryl Streep.

We've done some holiday episodes of Pop Culture Happy Hour in the past. But very often, because many of us on the panel celebrate Christmas, we end up talking about that. This year, we wanted to talk a little about Hanukkah as both a religious and pop-cultural event, so we called in two of our favorite women who celebrate: Barrie Hardymon of Weekend Edition and Sarah Ventre of member station KJZZ in Phoenix.

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RAY SUAREZ, HOST:

Twenty years ago today, the film "Titanic" opened in theaters. Titanic the ship sank in 1912. "Titanic" the movie was a huge success. NPR's pop culture critic Linda Holmes takes us back to 1997.

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KELLY MCEVERS, HOST:

One of the awards contenders that's emerging toward the end of this year is Three Billboards outside Ebbing, Missouri. It stars Frances McDormand as a woman named Mildred who sets up the billboards in question to demand action from local police to solve the murder of her daughter. But it slowly shifts focus until it's only partially about Mildred; it's also about the dryly funny family man (Woody Harrelson) who's the police chief and about a viciously racist officer (Sam Rockwell) who's been terrorizing the black population of the town.

Now and then, we can serve up an episode that consists of our panel joyfully explaining why we all truly were moved and thrilled by a piece of work. This is one of those weeks, as Aisha Harris of Slate's podcast Represent and music journalist Katie Presley join the panel to talk about Lady Bird.

This spring, we talked to Shereen Marisol Meraji, the co-host of the Code Switch podcast, about why she doesn't really like superhero films but was excited to see what director Taika Waititi did with Thor: Ragnarok. Shereen is a Waititi fan, having loved his work in the past, including the feature films Hunt For The Wilderpeople and What We Do In The Shadows.

It's safe to say John Hodgman is a favorite podcaster of those of us on Pop Culture Happy Hour. Both Glen Weldon and I have spoken of our fondness for his show Judge John Hodgman, and we were lucky enough to welcome him to our live show in Brooklyn in May of 2017.

A while ago, I heard a rumor that Tamara Keith — NPR White House correspondent and a core member of the NPR Politics Podcast team — enjoyed ABC's Shark Tank. This information was filed under "HUH," where I keep many interesting tidbits.

If you first saw Tom Hanks act in Bosom Buddies, you've been watching him for almost 40 years. He has two Oscars. He's played astronauts and soldiers and a widower sending up his voice like a signal flare. He's directed and produced and written films and TV projects, and now he's written a book of short stories, called Uncommon Type.

It's no secret that movie theaters are trying to preserve the theatrical experience as something special — something you can't replicate, even in your tricked-out living room with your home theater system. Theater design is one of the ways they're trying to add value, as consultants and Shark Tank competitors might put it.

But at a recent screening of Blade Runner 2049, I experienced a technology that isn't new but was new to me, and with it, the need to make a plea that I never expected to make. Theaters, I beg you: don't manhandle my physical being.

Something is gained and something is lost when a full creative work breaks down into familiar pieces that pass from hand to hand like baseball cards. It happened to Monty Python and the Holy Grail, it happened to The Simpsons, it happened to The Big Lebowski. And over the 30 years since its release, it happened to The Princess Bride.

"I hope he remains loyal. And if he doesn't, let me know, and I'll attack him."

Just as the original Will & Grace did in 1998, the new Will & Grace finds our two favorite roommates playing a party game. But while the original scene was more like $25,000 Pyramid ("Driftwood ... John Wayne ... your parents' marriage ..." "Things that are dead!"), this time, they're playing Celebrity — similar, but different. This time, it's a joke about Newt Gingrich looking like a lesbian, one about Melania Trump being a "rich hostage" (thus confused with Patty Hearst) and one about Caitlyn Jenner being hard to like.

[This examination of the season premiere of This Is Us discusses, in detail, everything that has happened on the show up to and including the season premiere, and it also includes what I promise is baseless speculation on my part about what might be coming in the future. — LH]

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DAVID GREENE, HOST:

OK. We're going to talk a little bit about television now. Maybe you remember a gay lawyer and a straight interior designer who made TV history. Here they are playing a party game in the 1998 pilot of their TV show.

(SOUNDBITE OF TV SHOW, "WILL AND GRACE")

Law & Order, in some form, has been on the air since 1990. There were 20 seasons of the original series, we're on the 19th season of Law & Order: SVU, there were 10 seasons of Law & Order: Criminal Intent, and there was a season each of Law & Order: L.A. and Law & Order: Trial By Jury. The franchise fed the boom in police procedurals and made "chung-chung" (or "donk-donk" or whatever you choose to call its signature sound) as familiar as NBC's own "N-B-C" chimes.

On Tuesday morning, the first announcement went out that in Fall 2018 — only a year away! — Broadway performances will begin of Pretty Woman: The Musical. Prior to that, Chicago will host the world premiere run, beginning in the spring.

Sooooooooooooooooo if you've been wondering when one of Hollywood's most endearing-slash-problematic stories would make it to the stage, it's almost time!

Every year, summer gives way to fall, and in movie theaters, blockbusters give way to awards contenders. On this week's Pop Culture Happy Hour, film critic Bob Mondello of All Things Considered and I spoke with Tasha Robinson of The Verge and film writer Bilal Qureshi about some of what we all saw at the Toronto International Film Festival, which kicks off the fall movie season.

Pop Culture Happy Hour discussed Battle Of The Sexes on this week's episode. To hear the episode, click the play button.

In the story of Billie Jean King beating Bobby Riggs, told again in Battle Of The Sexes, it's often forgotten that she didn't particularly want to do it. In fact, she didn't do it until Riggs had badly beaten Margaret Court, who was one of the greatest players in women's tennis at the time.

What is it fair to reveal about Darren Aronofsky's new film, mother!? Certainly what little the trailers and marketing have given away, which is that it stars Jennifer Lawrence and Javier Bardem as a couple (identified only as "Mother" and "Him") living in a house where something is not right.

If you've never seen the Property Brothers on television, here's how their show works: Their names are Drew and Jonathan Scott, and they're twins. (Of course they're identical; like television cares about fraternal twins. Fraternal twins might as well be on the radio!) They show prospective housebuyers — invariably a romantic couple — some houses, and the couple picks one.

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ARI SHAPIRO, HOST:

Hallie Meyers-Shyer's first feature as a writer and director is Home Again, which stars Reese Witherspoon as a freshly separated woman who opens her home to three young filmmakers who need a place to stay. Meyers-Shyer is only 29, but her film lineage goes back decades. Her parents, Charles Shyer and Nancy Meyers (now divorced), worked together for years on films including Private Benjamin (1980), Baby Boom (1987) and the updated versions of Father Of The Bride (1991) and The Parent Trap (1998).

Back in 2013, Lake Bell, an actress known for TV and film roles including Boston Legal, It's Complicated and No Strings Attached, wrote and directed In A World..., a smart comedy about a female voiceover artist trying to land a job narrating a blockbuster movie trailer. (We did a segment about the film, and about voiceovers, as a matter of fact.)

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